Sponsor a String appeal will be prelude to success for talented harpists of the future

Sponsor a String appeal will be prelude to success for talented harpists of the future

An acclaimed teaching centre is hoping to tug at the heart strings of music lovers by offering them the chance to support the studies of talented young harpists.

Canolfan Gerdd William Mathias in Caernarfon, which is currently providing tuition for over 400 aspiring musicians, has launched its Sponsor a String appeal which aims to raise cash by inviting people to “buy” one or more of the strings on a traditional Welsh triple harp.

All the money raised will go towards creating three scholarships of £1,500 each to be offered as prizes to winners of the Youth Competition during this year’s fourth annual Wales International Harp Festival to be staged at Galeri Caernarfon from April 1-7.

And festival director Elinor Bennett says she can’t think of a better way of helping to nurture young talent.

She said: “The Youth Competition at the Wales International Harp Festival is for young harpists aged 19 or under and the prizes of three equal scholarships of £1,500 are meant to help the winners pay for a series of lessons from a specialist tutor of their choice.

“The cost of specialist music tuition can be prohibitive to many families and this amount of money would make a great deal of difference to develop a young harpist’s potential. As a guide, one hour’s lesson can cost between £40 and £100, which some people would be hard pressed to find.

Pictured are: Festival organiser, Catrin Morris-Jones and Festival Director, Elinor Bennett

“Canolfan Gerdd William Mathias, which currently offers high quality tuition in a range of musical instruments at its centres in Galeri Caernarfon as well as Denbigh and Ruthin, came up with the Sponsor a String appeal to help get the careers of young musicians off to a flying start by offering these very valuable scholarships.”

Elinor added: “Entries for festival’s Youth Competition are going very well at the moment and we eventually expect to attract up to 25 young musicians. Although several will be from Wales and pupils of the William Mathias Centre, others will be coming from far as away as the USA and Russia specially to take part.

“Stage one of the Youth Competition will be held from 9am on the third day of the festival, Tuesday April 3, with the final at 3pm on the Wednesday.

“It will be a real showcase of musical talent and do much to raise the profile of harp playing. It will also bring top international artists to Galeri Caernarfon so that people can enjoy their playing in their own locality.

“The harp brings people together through the power of music. In previous years a number of lasting friendships have been formed amongst entrants of the Youth Competition.”

Elinor added: “In the run-up to the festival a copy of an 18th century triple harp, with 90 strings, is being exhibited at Galeri.

“A label with the name of a sponsor will be tied on to one of its strings when a pledge of money is received from a kind and generous individual.

“We have suggested a donation of £50 but we will be extremely grateful for any other sum, large or small, we receive for such an excellent cause.”

Gwenan Gibbard, who has been a harp tutor at the William Mathias Centre at Galeri Caernarfon for over 10 years, is strongly in favour of the Sponsor a String appeal.

She said: “It’s always a challenge to find new ways of raising money for the study of music and I think this is an excellent idea.

“The three scholarships that the sponsorship money will help finance are the perfect way to help nurture the best young harpists of the future and the appeal deserves to win as much support as possible.”

More than 100 harpists are heading to the festival and the opening concert will see the premiere of a new poem entitled Osian, by chaired poet Mererid Hopwood, which honours the life and work of globally-renowned harpist Dr Osian Ellis CBE, who started playing again as he approached his 90th birthday on February 8.

At the height of his career Dr Ellis, who is the Harp Festival president, collaborated with leading British composer Benjamin Britten and played on the madcap radio comedy series, The Goon Show.

The festival will conclude with a sell-out concert by Sir Bryn Terfel, accompanied by his partner and former royal harpist Hannah Stone, at the Bryn Terfel Theatr, Pontio, Bangor, on April 20.

 

Emotional concert will remember controversial drowning of village

Emotional concert will remember controversial drowning of village

A top harpist revealed the Welsh premiere of a new piece of music to remember the controversial drowning of a village will be a highly emotional occasion for her.

Huw T Edwards

Sioned Williams’ grandfather Huw T Edwards led the campaign against the submerging of Capel Celyn in the Tryweryn valley above Bala in 1965 to create a reservoir to provide water for the city of Liverpool and the Wirral.

Although ultimately unsuccessful, the mass protests were a touchstone political moment and are credited with sparking a rebirth of Welsh nationalism

The harpist, originally from Sychdyn, in Flintshire, who is stepping down as the BBC Symphony Orchestra’s Principal Harpist after nearly 30 years in the role, commissioned the work, The Drowning of Capel Celyn, on her 60th birthday.

She will be playing the piece, written by composer Michael Stimpson, at the Wales International Harp Festival at St Mary’s Church in Caernarfon on Easter Monday, April 2.

Other highlights of the festival, which is in its fourth year, include a celebration of the life and work of the globally-renowned harpist, Dr Osian Ellis, to mark his 90th birthday.

As well as being the Professor of the Harp at the Royal Academy of Music, Dr Ellis was for many years the Principal Harpist with the London Symphony Orchestra and he was held in such high regard by Benjamin Britten that he wrote his Harp Suite specifically for him.

More than 100 harpists from countries as far afield as Japan, America, Russia and Thailand will be coming to the festival, which has Galeri in Caernarfon as its main venue, Easter Sunday, on April 1, to Saturday, April 7.

Back in the 1960s, Huw T Edwards was an influential trade union leader with the Transport and General Workers’ Union in North Wales and he was elected chairman of the Save Tryweryn campaign, something of which Sioned Williams is extremely proud.

She recalled: “I remember sitting on the banks of Llyn Celyn as a young girl with Taid and I felt a huge sense of sadness which remains with me to this day. I have visited there many times since and reflected on the catastrophic events which should never have happened.

“The work by Michael Stimpson is so poignant and the Caernarfon concert will be the Welsh premiere of the work and will be performed in the presence of the composer as Michael Stimpson will be there.

“I hope people will have a chance to reflect once more as they listen to what is a haunting and beautiful piece of work.”

She added: “My Taid, Huw T Edwards, played a major part in trying to stop the flooding and three men, Owain Williams, Emyr Llewelyn Jones and John Albert Jones, who sadly died in November last year, attempted to bomb a transformer at the dam site.

“It was Taid who apparently paid the bail money to get one of the three men out of prison.”

“The Michael Stimpson composition is such an amazing and beautiful work and really does just justice to how people felt, the utter devastation as water rushed into the valley drowning the chapel, the post office, Quaker meeting house and cottages.”

And, at the start of the performance, Sioned will read a poem, Tryweryn, which was written by her grandfather Huw T Edwards and published in a book of Welsh language poems he penned called Tros F’ysgwydd (Over My Shoulder).”

A former pupil of the festival’s director, Elinor Bennett, Sioned went on to study at the Royal Academy of Music where she was taught by Dr Osian Ellis.

Sioned became only the second harpist to achieve the Recital Diploma, the most highly acclaimed performance exam, at the Royal Academy, Elinor Bennett having been the first.

She toured the world as a soloist for almost 20 years and had her own radio programmes on Radio 4 and the World Service, and became the first British musician to win the prestigious Concert Artist Guild Award in New York.

However, after signing a contract to be the Principal Harpist with the BBC Symphony Orchestra in 1990 Sioned was left devastated after being diagnosed with a rare genetic disorder – McArdle disease, a glycogen storage disorder.

She said: “I cannot express the emotions I went through. However, my heart decided to rule my head and here we are 28 years later and I’m still a harpist.

However, after 28 exciting years working with the most wonderful composers and conductors in the world, I will relinquish my position and have a final concert with the orchestra under the baton of Sir Andrew Davis in the Barbican on April 13. I will then concentrate on pursuing other musical adventures. I aim to never stop playing the harp. I simply couldn’t!’.”

According to Elinor Bennett the concert with Sioned at 7.30pm on Easter Monday at St Mary’s Church, Caernarfon will be an unforgettable and hugely poignant occasion.

She said: “The fact that Sioned’s grandfather led the campaign against the destruction and drowning  of Capel Celyn adds a real personal touch to what remains an emotive issue to many Welsh people.

“I share Sioned’s memories as my father, Emrys Bennett Owen, was also part of the campaign to save the village and, as chairman of the Penllyn Rural District Council, and was part of a delegation that went to lobby the Liverpool MP, Bessie Braddock.

“I’m thrilled that the concert will feature wonderful music for  treble voices and harp by famous composers  –  John Rutter, Benjamin Britten, Gustav Holst and his daughter, Imogen Holst who worked with Osian Ellis at Benjamin Britten’s Festival in Aldeburgh.

“It will be a particular pleasure to welcome the renowned Palestrina Choir of St Mary’s Pro-Cathedral,  Dublin with their Director, Dr Blanaid Murphy, to perform four  rarely-heard works for choir and harp  with Sioned Williams and  Anne Denholm, Official Harpist to HRH The Prince of Wales.

“It’s going to be an amazing evening!”

90th birthday tribute to harp legend Osian Ellis

90th birthday tribute to harp legend Osian Ellis

The life and work of a globally-renowned harpist who started playing again as he approached his 90th birthday will be celebrated at an international festival.

The fourth Wales International Harp Festival in Caernarfon will be honouring the legendary Dr Osian Ellis CBE who collaborated with leading British composer Benjamin Britten and played on the madcap radio comedy series, The Goon Show.

Sixty years on Dr Elllis, a native of Ffynnongroyw in Flintshire who now lives in Pwllheli, still receives an annual royalty cheque of £100 for his appearances with comedy pioneers Spike Milligan, Peter Sellers and Harry Secombe.

As well as being the Professor of the Harp at the Royal Academy of Music, Dr Ellis was for many years the Principal Harpist with the London Symphony Orchestra and he was held in such high regard by Benjamin Britten that he wrote his Harp Suite specifically for him.

His stellar career saw him play in the world’s finest concert venues and rub shoulders with film stars like the Oscar-winning Anglesey actor, Hugh Griffith, Richard Burton and Elizabeth Taylor as well as comedy legend Bob Hope.

According to festival director Elinor Bennett, herself an acclaimed harpist and teacher, Dr Ellis was a still a huge inspiration to her and fellow musicians around the world.

More than 100 harpists from countries as far afield as Japan, America, Russia and Thailand will be coming to the festival at Galeri in Caernarfon from Easter Sunday, on April 1, to Saturday, April 7.

The opening concert will see the premiere of a new poem, OSIAN,  by the accomplished poet Mererid Hopwood. It is the inspiration for an imaginative new work for soprano, tenor, harp quartet, percussion and strings by the young Welsh composer and harpist Mared Emlyn who is collaborating with singer and harpist Gwenan Gibbard to present music in praise of Dr Ellis.

Mererid Hopwood

Mererid Hopwood

He was grateful but “terrified” that he was being honoured for doing something he loves.

He revealed: “It’s growing as an event and that’s down to people like Elinor Bennett. It’s amazing how harp playing has blossomed in recent years. I’m proud Elinor was a student of mine.

“She has worked so hard stimulating young talented musicians and that is so important. It’s not just keeping music alive but breathing new life into music. To see harpists coming to North Wales from all over the world to celebrate the harp is wonderful.

“I’m playing the harp again after a 15-year break while I cared for my late wife Rene. I play the organ in the chapel at Pwllheli where I have lived for a number of years now.

“I’m enjoying writing music again and of course playing. I didn’t think I’d be able to play again but I surprised myself how easily I got back into playing.”

“When you play a great deal your fingers naturally harden but when they are soft and if you haven’t played for a number of years it can be quite tough.”

The son of a non-conformist minister, Dr Ellis was born in in Ffynnongroyw in 1928 and as a boy he was obsessed with two things – playing the harp and playing football.

He recalled: “I chose the harp because we had one at home. My mother, Jennie, was a good amateur harpist. My father was the Reverend Tomos Griffith Ellis so we moved around quite a lot as a family.

“We did spend some years living in Denbigh and I was the goalkeeper for Denbigh County School. The boys used to say I was better at football than the harp!

“I taught myself to play the harp to some degree and was encouraged by my mother. We played lots of little concerts around Denbigh during the war. I also had a wonderful teacher Alwena Roberts, who taught students right across North Wales.”

However, winning a competition at the 1943 National Eisteddfod at Bangor led to a scholarship at the Royal Academy of Music under Gwendolen Mason whom he succeeded as Professor of Harp between 1959 and 1989.

Then in 1960 he met celebrated composer Benjamin Britten with whom he had a long association.

He said: “I worked a great deal with Benjamin Britten and we were very close friends. He wrote a great deal of music specifically for me including his wonderful Harp Suite.

“In fact, he wrote the harp part of a number of his works with me in mind and I recorded a lot of his work.

“In 1961 I joined the London Symphony Orchestra as principal harpist and performed regularly at the London Palladium.

“I did two Royal Variety Performances in the pit at the London Palladium involving Bob Hope and many other top stars. I also joined the Wally Stott Orchestra and we played on the original Goon Shows starring Spike Milligan, Harry Secombe and Peter Sellers and, for a short time, Michael Bentine

“In fact, I’m a bit embarrassed that each year I still get a royalty cheque for around £100 from the BBC from playing on the Goon Show as it’s still repeated on radio so often today which is amazing.

“In 1951 during the Festival of Britain I was working in an orchestra for a season at Stratford-upon-Avon.

“I shared a house with two Welsh actors, Hugh Griffith and a good boy from the valleys, Richard Burton and his first wife Sybil. We even shared Christmas dinner together.

“I remained good friends with Richard Burton and in the early 1960s, as a family, Rene, our two sons, Tomos and Richard and I, visited Richard Burton, who was by then with Elizabeth Taylor, on the set of Where Eagles Dare at Elstree Studios.

“We watched them shoot a scene and then went back to his trailer. Elizabeth Taylor kept feeding Tomos and Richard chocolate which they not surprisingly seemed to enjoy!”

Elinor Bennett described Dr Ellis as an iconic figure whose contribution had been immense.

Elinor Bennett (Director, Wales International Harp Festival)

Elinor Bennett (Director, Wales International Harp Festival)

She said: “I am delighted we are celebrating the 90th birthday of my mentor Osian Ellis and enjoy celebrating his work and music-making during his long career.

“I know the standard of competition in the five categories this year will be exceptionally high and that in itself will be a tribute to Osian, a remarkable man with a remarkable talent.”

The festival will conclude on Friday, April 20, with the sell-out concert starring Sir Bryn Terfel which had to be rearranged because the superstar bass baritone is recovering from vocal distress.

It was originally due to take place on February 8, the date of Dr Ellis’s 90th birthday.

On the night Sir Bryn will be joined by his partner, the former royal harpist Hannah Stone, when they will be performing a new work by Dr Ellis, a Cycle of Welsh Folk Songs.

The concert will also feature four young emerging Welsh artists, harpist Glain Dafydd, trumpet player Gwyn Owen, soprano Gwen Elin and tenor Huw Ynyr Evans.

Choral Concert

Choral Concert

Easter Monday, April 2 2018 | 7:30pm
St Mary’s Church, Church Street, Caernarfon

The Palestrina Choir, Dublin (Director: Blanaid Murphy)
Harps: Sioned Williams, Anne Denholm

Rutter: Dancing Day
Imogen Holst: Welcome Joy, Welcome Sorrow
Gustav Holst: Rig Veda
Interval
Michael Stimpson: The Drowning of Capel Celyn (First performance in Wales)
Benjamin Britten: A Ceremony of Carols

Tickets available now from the Galeri Box Office.

The concert celebrates superb and less-often performed works by five English composers:- Imogen Holst, daughter of Gustav Holst, was assistant of Benjamin Britten at Aldeburgh and became joint Artistic Director of the festival, (also working with Osian Ellis). John Rutter as a young chorister took part in the first (1963) recording of Britten’s War Requiem in Coventry Cathedral under the composer’s baton, and Michael Stimpson grew up in London near to where Holst taught at St Paul’s School, and was aware of Holst and his music from a young age. All composers have written brilliantly for choir, though on this occasion, Stimpon’s work is a harp solo in remembrance of the tragic history of Tryweryn. (Note by Sioned Williams).

The concert starts on a joyous note with full choir in John Rutter’s Dancing Day , moves to the gentler sounds of Imogen Holst’s Welcome Joy, Welcome Sorrow, ending the first half with the wonderful Rig Veda of Gustav Holst. The reflective and evocative music of Michael Stimpson will surely strike an emotional chord before ending with the superb Ceremony of Carols by Benjamin Britten. The atmosphere and acoustic of the 13th century St Mary’s Church (which is part of the Caernarfon mediaeval town walls) will be the perfect setting for these musical treats.

This will be a poignant and brilliant choral concert.

Concert duration 90’ including interval.

A Celebration of the Music of Osian Ellis

A Celebration of the Music of Osian Ellis

Sunday, April 1 2018 | 8:00pm | Theatre, Galeri Caernarfon

Sioned Gwen Davies (Mezzo-soprano)
Rhys Meirion (Tenor)
Valeria Voshchennikova (Russia) 2014 Chief Musician
CGWM String and Harp Quartets
Senior Harp Consort Gwynedd & Môn
Dawns i Bawb dancers

Programme Includes:
“Osian”
The First Performance of a collaborative new work created by the poet, Mererid Hopwood, and two of Wales’ most talented young women composers and harpists – Mared Emlyn and  Gwenan Gibbard –  to celebrate Osian Ellis’ 90th birthday.

Valeria Voshchennikova

Valeria Voshchennikova

N.B. Valeria Voshchennikova, the  winner of the  prestigious Chief Musician Prize in the 2014 Festival returns to Caernarfon to perform music from her native Russia.

Tickets available now from the Galeri Box Office.

 “OSIAN”  A poem by Mererid Hopwood (main image above) is the inspiration for an imaginative new work for soprano, tenor, harp quartet, percussion, strings and dancers  by the  young Welsh composer and harpist, Mared Emlyn, who collaborated with singer/harpist  Gwenan Gibbard to present music in praise of the legendary  Welsh harpist Osian Ellis who now lives in Pwllheli, Wales.

Poet’s note: The poem comprises nine  song-scenes. In the first, the listener is taken from the beginning of sound to the moments when song was first given to man and woman. Next, from the voices of rain crystals, of blackthorn blossom bells and tree winds, the song calls out Osian’s name. Borrowing themes from the ancient tale of Osian and Nia Ben Aur, we then follow deer and doe through the woods to Tir Na Nog. Here we find Nia, in the form of a silent, empty, wooden harp, her willow and strings waiting for Osian’s fingers and hands to give her a melody. In the duet that follows, we move from the drumbeat of darkness to daybreak and the song of blackbirds. Osian and Nia are united as scene 6 burst into an exuberant fiesta. Their union conceives its own new song whose birth gives flight to the oldest traditions as we move through scenes 7 and 8, until finally, in scene 9, we hear how these new melodies, in turn, are passed from one generation to the next .

New commision by Wales International Harp Festival with funds made available by ACW, Ty Cerdd, RVW Trust, PRSF Fondation for Music, Foyle’s, Colwinston Trust.

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